Post Fools Day!

So April the 2nd got me out of Saturday’s ‘Monday morning blues’.

No banana for brunch!! I had a fab breakfast in bed up & out to shoot some rehearsal images for a mates band, out for dinner with the wife & a quick catch up with some friends. All in all a much better day, as were the third and today.

A little bit of axe playing at home, some reading, some photography and I’m almost ready to go back to work tomorrow. Its been nice to have some time off and even have a good nosy around the world wide web looking for a bit of inspiration for my 365 project. Its tough to do. Really tough and I have struggled.

I think it was on flickr or somewhere that I got directed to a blog of a fella that was doing a 365 of selfies. If you know me or follow my flickr, instagram or on here, you’ll know I hate being on the lens side of the camera so when I had a look at this blog here: Idiot with a camera. I did my norm and headed to the beginning. Why? Well I like to look at the images at the beginning and then see how their photographic style and content may have changed. It just makes sense to me, in fact the only reason I have a blog page is primarily so that I can look back over the pages and see how I have grown as a photographer, if at all…….

Anyhow I ended up getting drawn into the above blog partly because the selfies were not the kind that scream Hey! Look at me.

They also appear to be mostly normal day-to-day images and not the elaborately planned style found here. Again, great photographs but for different reasons.

One thing that is very clear reading his blog is that Australia and the UK appear to be worlds apart.

Another person whose life is worlds apart from mine is that of Sir Elton John. I went to see an exhibition at the Tate Modern today The Radical Eye.

Hells teeth he has a lot of important photographs and it was great to see some of these in this format rather than published in a book.

So, hopefully if you followed the links you are not all photo’d out for the day because here is one of mine from today:


These people had become art as they walked around a smoke/dry ice installation. It was really interesting to see how different people behaved while we observed them.

As always, thanks for stopping.

Kind regards,

Jim Jimmy James



Getting to know the photographer..

You know those great photos that you see…. You know the ones that evoke an emotion, make you stop and think about the image, the story,  the one that just has something about it; that something you may not even be able to put a finger on the exact reason you like it… you know what I mean don’t you.

Well I am starting to look at some of those images a bit more deeply and getting to know the photographer. Not literally getting to know them! But rather getting to know their work.

I watched a short TV documentary shown by the BBC by filmmaker Marisa Murdoch about a photographer called Dennis Morris.

I spotted a number of images that I had seen before and researched a little further into his work.

Not for the first time, as I have looked at photographers other work in the past, I have realised that I have seen and like several images all from the same photographer but had never known it was that particular photographer that had taken any of those particular images that I liked. (I think that makes sense??).

So  in the future I will be making a point of taking a better look at photographers I like.

Dennis Morris had a small exhibition in London and was giving one of these question and answer sessions following an informal talk about his work as a photographer.

Interestingly he was brought up in my old manor where I was dragged up (I wonder if we’d ever passed each other in the street?). Living in sunny Hackney (pronounced ‘Ackney’ by all proper Londoners) might be the only thing we have in common.

Unlike me, Dennis had someone that sparked an interest and enthusiasm in photography. Luckily for him, he also gave him a camera and set him off on his career path.

My careers advisor at school looked at me aged fourteen or fifteen and said ‘Army’!

That was that!

No questions such as, what are you interested in, what are your exam grades predicted to be?

No question of what I might be interested in doing and advising me on the route I should take.


I ended up leaving school with no qualifications but got a trade, ended up going to night college and later went on to earn myself a degree.

Army! I went to the first school closed by OFSTED. Far too late in my opinion. It should have been closed many many years before OFSTED did the right thing.

Back on track……… As an adult starting off in photography I’m not sure the same opportunities are around today as they were in the 1970s and ’80s. The world is a very different place. London is a very different place.

When Dennis was starting off as a very young child, film was expensive, so I guess in that respect it is easier for people to access cameras and take more images now. But is it harder to get those iconic shots?

Is it harder to access people now?

The world doesn’t seem as exciting as it was thirty years ago, London does not seem as exciting. Its not derelict, its sanitised and people seem content with their lot. I’m not sure that anything exciting is going to happy anytime soon.

I don’t know if Dennis ever liked punk or if he was just in the right place at the right time? London was changing, there were various youth and subcultures. People had something to say and did things, people were out and about, people were being creative….. London was very different.

I went to his talk and asked whether or not he thought the opportunities are there for youngsters to start a career in photography.

As a 40+ individual this was just a general question,  I was interested to hear his opinion because I do think the world has moved on so much; especially with technology and it being more difficult to have your work stand out.

Its as easy as anything to get your work seen but not necessarily seen by the people that can change your hobby into a career.

I’m actually happy that his response was that he would just advise youngsters to shoot what they want in a way that they want.

At the end of the interview and Q&A people were invited to go up and have items signed. I didn’t have an old album cover or article so thought I’d push my luck….. I did have a camera with me and asked Mr. Morris to take my photo.

All I am going to say about the photo is that the circumstances were less than ideal, but hey, I had my photo taken by Dennis Morris….


photo by jim jimmy james

Dennis Morris © 2016 Jim Jimmy James

Dennis said he wanted to be a war photographer and ended up within the music industry by chance. With tongue in cheek he likened his early music photography career in the mosh-pit as dangerous as being a war correspondent.

I wonder what his worst mosh pit injury was?


© 2016

I’ve had a few bruises from the mosh-pit but this scratch was the first time I’ve had blood drawn. The joke of this is that it was a nurse that caused the injury. Well, a nurse wearing a studded leather jacket!

I recently got my hands on a canon powershot G5X and thought I would see how it coped with low lights found in many music venues.

Drummer of band called The Last Resort. Photo taken at punk & disorderly in Berlin. April 2016

Testing the Canon G5X in low light. © 2016 Jim Jimmy James

I’m fairly certain I could have got a cleaner / sharper shot if not in the mosh-pit. The image was shot at a high ISO and the only real issues I found were with auto focusing, which the camera had real problems with in this challenging light.

Thanks for stopping and reading.

If you have any low light or gig photos using a G5X that you wish to share please feel free to add a link in the comments.

Constructive critique is always welcome.

FAO Dennis Morris: If you happen to read this. Thank you for taking my birthday photo & if you are shooting in London and need a pair of hands from Ackney…. Jim Jimmy James 😉

A Portrait

I wrote about a class outing to Leicester Square in London and spotting Mr. Warwick Davis.

Ordinarily if I spot celebs doing their thang I will just leave them be.

However, on this occasion Mr. Davis looked like he was just heading from A to B and happy to share a few seconds with people.

I asked if I could take a quick portrait and the intention was to ask if I could add him to my 100 strangers project on Flickr.

He was happy to stop and pose briefly but I didn’t get the chance to ask about my Flickr project because others started asking for selfies with him.

I’m fairly certain he would have no concerns about sharing the image on Flickr but the group rules are very clear, permission must be granted to post on their page. So for the time being my Warwick Davis portrait will not appear as one of my 100 strangers.

I actually wasn’t going to post the image here either but two people have asked to see it.

The story behind this image was a college trip to Leicester Square. I was struggling a little until I spied Warwick Davis and had taken his portrait.

He seemed a bit taken aback when I asked to take his portrait but he is probably used to just being papped.

Regular readers will know that is not how I do things.

Although I say he did not seem in a great hurry, he clearly was heading somewhere and I knew I would only have a few seconds with him.

I decided there was not going to be time to fart-arse around changing my lens.

The class project also had to be shot in landscape view so my head was not thinking in terms of portraits and bumping into Mr. Davis was totally unexpected.


As a quick shot I’m actually reasonably pleased with this portrait. Had I felt I had a couple of minutes I would have considered the background a little more. (As it is I photoshopped out a sign that was at the side of his head).

I would have considered using a slightly shallower depth of field and I should have used the camera in portrait view. I also could have changed the focal length of 35mm by zooming to 70mm.

My personal criticism is that I didn’t notice and take a second to ask him to move his jacket a smidgen so that I could get the full slogan on his shirt.

That said, I certainly wouldn’t consider the portrait a failure.

As always the unexpected opportunity presented itself and has been a valuable lesson in my development.

Constructive comments are welcome.

I’d like to thank Mr. Davis for his time and thank you for reading my blog.

Kind regards,

Jim Jimmy James

Its all about the light. Again!

Playing with light, well actually understanding light rather than playing with it will take my photography into another level. I like natural light but haven’t really learned a massive amount about how to use it to my benefit. Although I’m not doing to badly at getting reasonable portraits. I did the candid strangers project to get me thinking quickly on my feet about the ever changing light situations from walking on the sunny side of the road to suddenly wanting to take a photo on the side that was shady or just about to take a candid image of a stranger and the cloud would clear and change everything. It was a good experience, often it was just simply changing my shutter speed, sometimes altering the ISO and on the odd occasion having to think about the exposure triangle in its entirety. I can hear people now saying ‘thats not complicated’. If you are one of those then all I will ask is that you take yourself back to when you started out. Yes once it is explained the concept is easy to understand but putting it into practice and feeling comfortable with it is one thing, its another thing when you need to do it quickly to get candid street portraits. However this was simply a project to get me thinking about exposure. Now I’m moving on and thinking about light modeling. Using light to add interest and another dimension to my images rather than relying on depth of field. When it comes to taking portraits of total strangers I am sure that I will feel like a total wally when I pull out my newly acquired reflector. However, I am following a couple of photographers on flickr that use reflectors and it seems like an easy way to sculpt light, lift shadows and even block out some harsh light. I just need to get over the fear of whipping it out in public. The reflector! Any regular reader will know I joined a flickr group to capture portraits of 100 strangers but this time with their permission and posed. This is majorly stressful for me, I like to do my own thing and just blend into the background. None the less I joined the group as a personal challenge and in the hope of improving my portraiture. Here are a couple of the photographers that I have started to follow…Iain BlakeTerry Lok,  Al Fed,  Barbara Asboth and Arnab Ghosal.  They’ve all given me a warm welcome to the online group and importantly for me, feed back on my images. I’m sure I will learn more from them as I progress through the challenge. If you have time please have a look at their work. They might even inspire you to join in and I hope an old friend that has been supportive throughout my learning might even fancy a go and dust off his camera. So….. learning about light also means learning artificial lighting. There is a huge amount to learn and I have jumped in head first with regards to using flash. My camera does not have a pop up flash built in to the body but I did that was intentional. I knew I would want to use more interesting lighting. Another group on flickr is where I plan on learning about lights. I think however I might have dive-bombed into flash photography when I should have perhaps dipped my toes in first. I have been using the flash on manual when I might have been better starting with the automatic side of things and looking at flash exposure compensation. I need to have a good look at this and once I get that under my belt I can start to think about looking at flash in more depth. Also the joy & expense of buying light modifiers. Anyway, enough waffle from me. Here are some images taken in Camden recently and one has been added to my new 100 strangers album.

At an event in Camden I introduced myself to Dennis and asked if he would sit for his portrait to be taken.

At an event in Camden I introduced myself to Dennis and asked if he would sit for his portrait to be taken.


Dennis was more than happy to have Norman Jay MBE gate crash the photo shoot.

Dennis was more than happy to have Norman Jay MBE gate crash the photo shoot.


I think the first image is pretty cool in black and white. It needed some work on the sun glasses to remove the flash reflection and the scooter reflection. Image two I will probably submit as part of my city and guilds work. Image three was very rushed, the light had been moved and I was concentrating on that more than changing my aperture. That said, I think the slight softness, although not ideal, is acceptable. If its good enough for Pierre Bresson (I recently viewed some of his work in Piccadilly) then it is good enough for me. In image four I like the point of view but knew the mannequin behind my subject would be a problem. I wish I had the balls to just move it or at least have asked the stall holder to shift it for a couple of minutes. If I was using the image for anything I would naturally try to deal with the flash in the glasses and remove the few rain spots on Dennis’ parker. Thank you Dennis for being a patient model and thank you Norman Jay (MBE) for the guest appearance. As always, thank you for visiting my blog. Jim Jimmy James

Learning New Tricks.

Camden is one of those places that at weekends if you were blind folded, given a stone and asked to throw it in some random direction you’d normally have a 50/50 chance of it hitting someone that looks interesting; be that their face, make up, hair or dress sense. Two weekends and a few hours on week day afternoons I spent there and all the goths, skins, mods, punks……….. where the hell was everyone? I had even gone to a few gig venues but only found people dressing with a kind of hybrid on the old youth cultures I grew up with. So I’m in Camden, it was cold and starting to get late so I decided it was time to head off (via a pub for a swift half and some food). Suddenly I heard the distinctive sound of a Vespa or Lambretta. I was certain it would be one of these hybrid-trendies. The scooter came around the corner and the rider was wearing a parker, looks promising I think to myself. As he passes I clock that he is wearing a crash helmet with the Trojan logo and a pair of DMs. The road goes to a super market, a petrol station or is a good point to turn around if you’d missed a turning. I waited to see where he was going and he headed into the petrol station to put air in his tyres. As I approached him I thought he’d be a great subject for a portrait. Hello mate I’m Jim, offered my hand and he introduced himself as Eddie as he shock my hand. I told him that I was learning photography and about a couple of projects I am doing. Fortunately Eddie was already aware of Flickr and his son in law is a photography assistant. I took a few shots of Eddie, close crop, half length and some with the scooter full in the frame. Whats new for me, learning about off camera flash. My first shot was over exposed and then the next was under exposed. Third shot onwards were all good. Also there is a little photoshopping but I hope it has enhanced the image. I usually use Lightroom to carry out adjustments but it just wasn’t doing the job. I knew photoshop would be a tool I would end up needing to use so I subscribed to Adobe Creative Cloud. Again, photoshop is new to me so I will learn how to get the most out of it with a little practice. In image one I didn’t like the flash on the black drainpipe, I felt that the label of the rodent trap was a little distracting and I really wasn’t keen on the air pump being in the shot.

Image pre photoshop  adjustments.

Image pre photoshop adjustments.


Edit-1 with distractions removed from drainpipe and rat trap.

Edit 2 with air pump signage removed.

Edit 2 with air pump signage removed.

I am reasonably happy with the work I have done but will only really know how well it worked once I print the image. I emailed Eddie some jpegs and he very kindly offered me the opportunity to do some more photo sessions with him in the future. Thank you Eddie for your time and generous offer. As always, constructive comments are always welcome & thank you for visiting my blog. Kind regards, Jim Jimmy James

100 Strangers

So, I completed my flickr project to take 100 candid stranger portraits.  While I spoke to some of the people I photographed the vast majority were bypassers.

At times I enjoyed the project and at other times it felt very awkward.

My intention was to use this personal assignment as practice for another one hundred strangers project that will push me both technically and sociably.

Its funny that my job puts me in positions where I have to take control of some demanding situations and people/strangers often look to me to control many many different and difficult environments.

During my working day I have to appear confident and totally unfazed by anything I have to face.

At times my job can be physically and mentally demanding. Funnily I’m also often photographed and recorded.

Now, put a camera in my hand and ask me to approach a total stranger, speak to them and ask if I can take their portrait… It is totally nerve-racking!

Its different from my job. At work I have a tacit knowledge of what needs to be done, how it needs to be done and a pragmatism to get the job done. When it comes to photography and I approach a stranger I feel anxious about how they’ll react. I don’t feel particularly confident in how I should go about directing them as a model and I just feel like I have too much running around in my head…. exposure, shutter speed, chatting, pose, background, am I holding the person up…. I actually feel a bit rushed and hurry myself far too much because I am worried about taking up the persons time.

Perhaps unnecessarily because if they were in a huge hurry they wouldn’t agree to having their portrait taken.

Anyway, I find it difficult to engage strangers in conversation and this new 100 strangers project is going to be tough.

I hope it will get easier as time goes on and I certainly want to improve my portraiture along with my understanding of the use of natural light, flash photography and light modifiers.

Below are my first three strangers that very kindly agreed to take part in the project along with a little description that goes with the images.


This is Chris. He is #003 in my 100 strangers project. I went to a gig at the 100 club on Oxford Street, London. Then on to The 12 Bar on Denmark Street who had a late night DJ.

A Rockabilly/Psychobilly band called King Kurt had been playing. Their gigs can get a tad messy. That is actually an understatement. I once had to walk a good few miles to get home after seeing them play. I could not get a taxi and the bus drivers would not let on the busses. I was covered in flour just like Chris who was the DJ following the live music.

I actually went up to a balcony to photograph the aftermath of the gig and stumbled across Chris. I had a quick chat about the gig, previous gigs I had been to and the joys of getting home in such a state. I told him about the project. He agreed to his portrait being taken.

My batteries had died in my flash and I wasn’t really sure if I’d get a good image or not with the ISO cranked up such a huge amount. There was a small light above Chris’ decks and the light with a high ISO has given me what I think is a reasonable image.

The reason I wanted to photograph Chris is because his hair still looked immaculately fixed but his face and clothes were absolutely caked in flour. His facial expression really made me laugh, its a look of being slightly amused and the acceptance of being covered in flour. (The 12 bar was relocating and the flour-bombs were really only to be expected).

I’m so glad I wasn’t in the venue with my camera when the carnage was under way.
I certainly wouldn’t have changed lenses in the venue.


This picture is #001 in my 100 strangers project.  So this is Peter. He is a piercer based in London. I meet Peter when I went into a tattoo shop and the tattooist that has done some previous work for me introduced us. I told him that I am learning photography and told him about the 100 strangers project, then asked if I could take his portrait.

The reason I wanted to photograph him was simply because I think he has a friendly face. I was pleased that he’d said yes and also relieved that the initial approach was already dealt with by way of an introduction while talking to the tattoo artist.

I had to take a few shots to try and get the exposure right as I made a school boy error and forgot to put my settings to a near usable setting following some night photography.

I remembered to quickly review the images as I was taking them and noticed that the background was not good in the first shots. It looked like he had things growing out of his head. So I asked him to stand in front of some art work on one of their walls. This was the least noisy place within the shop.


My stranger number two is Kat.

Kat works at a well known jewellers that makes customised jewellery along with their own designs.

I signed up for a photography course and was given a homework task of portraits, landscapes, street photography and a few others. I opted for Street Portraits with the intention of killing two birds with one stone. Homework and joining the 100 strangers group.

I was walking around and looking for someone that stood out. I spotted Kat having her photo taken by a colleague of hers and I guess she was modelling the chain and cross seen in this portrait.

As she was about to go back into the shop I quickly asked if I could take her portrait. It was all very quick and I didn’t really have time to think about how I was going to approach her or even what to say.  I asked her to step into a doorway that was black as I thought it would be a good background and there were lots of people around that would have been walking between her and the camera.

I would like to say that I considered the light but I have to confess that I just got lucky.

The conversation was very brief, she was obviously at work and I didn’t want to hold her up.
I’m also very pleased I didn’t have time to think about the situation because afterwards I was wondering if a 44 year old man asking a young woman for their portrait maybe a bit weird.
I guess I am just going to have to get over that if I want to take images of interesting people.

Kat is very pretty and with her style stood out from the mundanely dressed crowd (I include myself in that description). I had to have the images printed for college so told Kat that I would drop of any prints I made. Luckily Kat is aware of Flickr as it turns out she was previously photographed by another member of the group and she kindly agreed for me to take her portrait to be post it here.

Thank you Kat for not telling me to bog off!

Thats my new project well under way and I will update my progress some time.

As always, thank you for stopping to have a look at my blog. Constructive criticism is always welcome and if you like street portraiture please have a look at the flickr group. There are some great photographers showing some wonderful portraits.

Kind regards,

Jim Jimmy James

Candid Strangers 100/100

If you have read this blog you’ll know that I have a photo project that I started off doing to get me thinking a bit quicker about light, exposure and forcing my hand a little with my camera settings. You’ll also know that I did not want to carry this project over into 2015.

I am pleased to say that I have now completed my 100 candid strangers project on Flickr.

I have chosen a woman in a Burka, Burkha, Burqa, (sorry but I’m not sure of the correct spelling and the dictionary I checked with has all three spellings). The reason for using this image is not to be controversial. I have no intention of making any political statement but….. But is the ‘However’ and the point you know someone is going to say something that is most likely to be the contradiction of what they have just said.

That really is not my intention. The reason for this image is two fold:

1) The project is about capturing portraits of strangers. The woman is a stranger and always will be. We do not move in the same circles and we are unlikely to.

Even if she was my neighbour I doubt I would recognise her again.

We are all affected by politics and the lady and I may have many of our personal political opinions in common but I will never know. Something else we have in common….. We breath, sleep, eat & excrete (that is the polite version).

2) This is just from personal experience that I have found on the few occasions were I have tried to photograph anyone of a middle eastern appearance, be that male or female, it is a nightmare.

Other people will stand in my way, the subjects tend to spot me quickly and either cover their face or look away. The rare moments when I was not noticed by the subject, other bystanders would draw their attention to me by shouting and pointing.

I’m not totally sure what to make of it.

It could be down to recent wars and the current paranoia of anti terror laws and actions. If it is then maybe I should have been taking pictures of the people that were so keen to make the subjects I was photographing aware of my presence?

If I’m not photographing them or people they are with why would they object so much to me taking photos. That modern saying about CCTV and carrying ID cards “if you’re doing nothing wrong you’ve nothing to worry about” crept into my head a few times even though I do think we have far too much CCTV. I’d rather have police on the streets preventing crime than CCTV that in many cases is not really that useful. It was a short lived but recurring thought.

What does strike me as odd is that I have not had this from other people, whatever their nationality, colour, religion……. It makes no odds to me who I photograph. I’m photographing the people around me. The people that look interesting or are in a nice light. If you look through the 100 images this will be pretty clear that there is no hidden agenda.

So reason two is that this particular image although could be better has made me look a bit deeper at street photography in general.

Walk along Edgware Road between the A40 flyover and Marble Arch and I stand out like a sore thumb. White, middle aged and sometimes picked out as ex-forces or a police officer. I didn’t blend into the environment and that may be the reason for the issues. I am curious about this because I have seen other people taking photos and not getting any hassle.

Maybe it is because it is a DSLR and it is just a bit bulky for street photography.

I’ve been pointed into the direction of Leica or Fuji for street portraits and general street photography.

If its an area of photography I intend on pursuing I will certainly need to look more into the costs of buying another camera kit.

After all that waffle here is 100/100.


As always, constructive comments are welcome and thank you for visiting my blog.

Kind regards,

Jim Jimmy James

Abbey Road, London.

In my quest to finish finish my 100 candid strangers project on Flickr I headed to a zebra crossing on Abbey Road in London with the intention of capturing candid stranger 99/100.


It just a normal crossing and there are lots of them around the UK & there is nothing unusual about someone crossing the road. Think again!


This zebra crossing at Abbey Road is kind of famous as it appears on a Beatles album cover.

I can not tell you how long I have spent sat in a car or on a motorbike waiting for tourists to take their photos. I would estimate hours and hours. Maybe even days!

Hell, it might even be a month of my life [yes thats an exaggeration] wasted sitting in traffic thanks to this rather standard british road crossing.






As a motorist this section of road is extremely frustrating but sitting there as a photographer there was actually a palpable sense of fun. So many people were getting so much joy out of using the crossing.

If you want to get an idea of how busy this crossing can be, especially through the summer months, this link will take you to The Abbey Road Studios Camera. If you do visit the crossing why not wave into the camera and say hello to the world.

So folks, take your photo, have your fun but be sensible; if you look like you want to cross, motorists will stop.

Please also remember that people are trying to get to work, meetings, appointments or home, so think about avoiding rush hour because all you will do is get people frustrated. If you are there during rush hour try to be quick!

I have to say that after watching the little video at the start of my post and spending such a short time observing people at the crossing, I will never look at it in the same way. It definitely has a good vibe (when not sat in a car). I may even do another little project there?

Thanks for stopping.

Jim Jimmy James

Love locks

Love locks create some debate; some hate them and some love them.

The idea is to symbolise a couples eternal love. Some don’t like the idea and would argue that they find it a symbol of oppression.

My personal opinion is that these love locks are simply a modern version of carving yours and your lovers initials or name into a tree or an old park bench. Is that romantic or just a simple act of vandalism?

Some cities remove the love locks and others just leave them alone. There are arguments that they are a form of vandalism and I have read articles suggesting the extra weight causes structural problems to these fences and bridges.

I can definitely understand removing locks if they are causing damage or weakness to structures and also when they are placed on beautiful or ornate bridges but on a recent visit to Köln (Cologne) we walked across a love lock bridge that crossed The Rhine; I think they added to the aesthetics of what would be a boring mesh pale green fence.

Love locks on a pedestrian and rail bridge in Köln crossing The River Rhine.

Love locks on a pedestrian and rail bridge in Köln crossing The River Rhine.

Spotted a young couple attaching a lock as I approached.

Spotted a young couple attaching a lock as I approached.


Young couple throwing love lock keys into The River Rhine. Cologne. November 2014.

Young couple throwing love lock keys into The River Rhine. Cologne. November 2014.

All images taken candidly at a much higher ISO than I would have preferred but using a flash would have alerted the couple that they were being photographed. I did approach them after and emailed them the images yesterday evening.

I wish them luck for their future.

Thanks for stopping.

Jim Jimmy James

Just watching.

While I was out and about at work I grabbed a sandwich & a brew (Tea) at a cafe,  when a chap dumped a bag next to me. He was joined by another fella and a girl.

They opened the bag, the girl started getting some clothes out and the first man (very scruffy in ill fitting track suit bottoms) started setting up camera equipment. 

Being a nosy sod I tried to eyeball the kit. A decent looking tripod, the lens looked like it was a 15-80mm, but I couldn’t make out the manufacturer. He wasn’t using a lens hood but did look like he had a clear UV filter fitted.

The camera was a canon but I could not see exactly what it was.

A couple of minutes latter the woman re-appeared dressed in the clobber she’d pulled out of the bag, now showing off her midriff she changed into high heels. 

The second chap pulled out two pairs of sun glasses and the couple started posing for photos. You know the stereotypical “wearing sun glasses and looking at the sky” type pose.

I was there for forty minutes before I had to leave and they were still at it, same clothes and nothing else really happening. They moved about two feet away and looked into the camera. That was it. 

I don’t know what to think really. I wasn’t overly impressed and it didn’t look terribly professional but then he (The photographer) may have wanted something very specific. Who knows? Also, what does professional look like. He is probably the next Zack Arias and starting off in a coffee shop. It was all no nonsense and he’ll probably have some great images. 

It might have been a few friends putting a portfolio together? However, you may surprise me and say ‘those models are so and so, their the next big thing” or “OMG! you know who that photographer is………”

If they had spoken a word of English I may have engaged them in a little conversation rather than just watching. 

Good luck to them. 

The Shoot

Quick snap taken on my iPhone. Greek Street junction with Bateman Buildings. Soho. London.